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Medical wax castings, or moulages, are strikingly lifelike objects. Their production peaked in the early twentieth century, when they were used as clinical training aids, with a particular focus on syphilis. Plaster was moulded directly on a patient’s sores to create a negative imprint that was filled with tinted wax. The model was then reworked by hand to add colour, eyelashes and hairs, oozing or granular effects and other features.

Dermatologists and infectious diseases specialists are now rediscovering the pedagogical potential of these old objects, which are being used to teach medical trainees in Geneva (at the Musée d'Histoire des Sciences) and Zurich (at the Moulagenmuseum)

Since the fragility of these objects restricts their reuse, we have chosen around twenty moulages from the collections in Geneva and Zurich to be carefully restored and digitised in 3D. The final results have been approved by dermatologists before going on display. The digital museum presented here will be of interest not only to students and clinicians, but also to historians working on the material history of medicine.

We aim to offer a critical, contextualised perspective on both the history of medical wax moulages and their second life in the digital sphere. The museum thus begins with an explanation of our research approach, and each 3D moulage is accompanied by an interdisciplinary commentary.

Alexandre Wenger

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TEAM AND PARTNERS

SABINA CARRARO
Conservatrice et restauratrice, Moulagenmuseum, Zürich

JULIEN DA COSTA
Design et développement web, Sketchnote 3D, Université de Genève.

STÉPHANE FISCHER
Assistant conservateur, Musée d’Histoire des Sciences de Genève

MICHAEL GEIGES
Dermatologiste, directeur du Moulagenmuseum, Zürich
CHRISTOPHE LAMY
Anatomiste et neurobiologiste, Responsable Sketchnote 3D, Université de Genève.

LAURENCE-ISALINE STAHL-GRETSCH
Responsable du Musée d’Histoire des Sciences de Genève

LAURENCE TOUTOUS-TRELLU
Dermato-vénérologue, Hôpitaux Universitaires de Genève

ALEXANDRE WENGER
Responsable projet, Medical Humanities, Université de Genève.


SPONSORS AND PROVIDERS